Attn: Mel Bourne
Victoria, Australia
Southern Hemisphere
3000
Dear ‘Burnie.
Got some news for ya. Start spreadin’ it. I left you again the other day. Yeah, that’s right. It’s been real. Lookin’ to find me a new pair of shoes because my old pair of vagabond’s fell apart – the gaping holes in the souls were soaking up your wet puddles ‘n made my mismatched socks stink like wet dog. Can’t blame you for that I guess. I go through vagabond shoes like boxes of Savoys. It was great to see you again, though I can’t deny that you and the whole wet dog foot situation gave me a nasty bout of the little town blues in those weeks I came back to ya.
Thankfully, they’ve pretty much melted away and, once again, I feel a part of it.
I gotta say though, you sleep too much for my liking. I want to wake up somewhere that doesn’t. So I’m gunna be over here some time, and if I can make it here, I reckon I’ll make it anywhere.
It’s ain’t up to you anymore, bud.
Seeya round Mel.
Love,
King of the Hill,
A Number 1
‘Top of the Heap’
New York, New York
20.4.09
7.1.09
Sounds of the Backyard
In Fairfield the city mellows with the oaks and the gentle hum of inner suburbia.
The whistling chirp of birds mucking around in my backyard scurries about an afternoon as rich dropping-away sun melts and basks rays spilling and bursting over my right cheek. Humble wind sways the draping green trees, flitting the rays of the sky, glittered in warmth. Stalks and branches scrunch and fondle, kissing each other.
On cue, the 5.49 express barges its way into the chaotic symphony en route to Flinders street Station. Bells chime with the beat of a metronome evoking the flashing of duel red lamps and meeting of wooden drawbars. Horn calls yawn and shrill intermittently through the neighbourhood, a wavering ballsy B-flat that lumbers and startles as it swims over the sub-hum textures. Triplets of rumble and clack percuss over wooden girders at the mouth of Station St, an intermittent slicing of steel denoting speed and the due intention of it’s course.
In the distance, the under-roar of peak hour commodores and falcons pulse past Chandler Highway overpass, deep and fast through the main artery to the eastern wing of the city’s sprawl. It is a gentle hum, like the static roar of a far off ocean, each vehicle a passing wave, ebbing in unison down a tried and tested trajectory to each organism’s rightful dwelling.
A phone rings; it reminds me of an old cack olive unit with the handset vertically spread, and dial twists bereft of luxurious modern buttons. Someone picks up and it is silenced. Neighbours next door arrive back home in their car and throttle each other with stern Italian dialect, slamming their doors and ranting. I struggle to translate what they’re saying, whether or not the tone is one of frustration or basic assertion, whether they’re actually having a laugh and joking on each other. Another neighbour in the distance sneezes from pollen rife in the summer ether. The bellowing catharsis reverberates around their tiled interior and booms out from the open back door to my earshot.
The birds now fly in flocks overhead, alone in the sky but for endless baby blue and a couple of smudges of white cloud; setting off for the night to another part of town. When they get there, the sun will have dwindled and the tones of the sky will have changed, and someone, somewhere will be watching them and breathing in and taking note of their shared existence. Breathing in the air in their vicinity and noting the sweet, unique symphony of sound of their own backyard.
The whistling chirp of birds mucking around in my backyard scurries about an afternoon as rich dropping-away sun melts and basks rays spilling and bursting over my right cheek. Humble wind sways the draping green trees, flitting the rays of the sky, glittered in warmth. Stalks and branches scrunch and fondle, kissing each other.
On cue, the 5.49 express barges its way into the chaotic symphony en route to Flinders street Station. Bells chime with the beat of a metronome evoking the flashing of duel red lamps and meeting of wooden drawbars. Horn calls yawn and shrill intermittently through the neighbourhood, a wavering ballsy B-flat that lumbers and startles as it swims over the sub-hum textures. Triplets of rumble and clack percuss over wooden girders at the mouth of Station St, an intermittent slicing of steel denoting speed and the due intention of it’s course.
In the distance, the under-roar of peak hour commodores and falcons pulse past Chandler Highway overpass, deep and fast through the main artery to the eastern wing of the city’s sprawl. It is a gentle hum, like the static roar of a far off ocean, each vehicle a passing wave, ebbing in unison down a tried and tested trajectory to each organism’s rightful dwelling.
A phone rings; it reminds me of an old cack olive unit with the handset vertically spread, and dial twists bereft of luxurious modern buttons. Someone picks up and it is silenced. Neighbours next door arrive back home in their car and throttle each other with stern Italian dialect, slamming their doors and ranting. I struggle to translate what they’re saying, whether or not the tone is one of frustration or basic assertion, whether they’re actually having a laugh and joking on each other. Another neighbour in the distance sneezes from pollen rife in the summer ether. The bellowing catharsis reverberates around their tiled interior and booms out from the open back door to my earshot.
The birds now fly in flocks overhead, alone in the sky but for endless baby blue and a couple of smudges of white cloud; setting off for the night to another part of town. When they get there, the sun will have dwindled and the tones of the sky will have changed, and someone, somewhere will be watching them and breathing in and taking note of their shared existence. Breathing in the air in their vicinity and noting the sweet, unique symphony of sound of their own backyard.
29.12.08
Yellow Mondays
The bright yellow tram clipped flashy and fresh and smooth on the turns. Inside was lonely but for a faceless driver with his back to little more than a handful of early travellers sprawled about the interior. Daybreak sun spilled through the sparse carriage, flickering like an old movie reel as we coarsed through the waking city. Joggers in small shorts were left for dust in the mirrors as Monday-gazing suits traversed high-panted in common routes, nonchalantly commencing a crisp week of routine existence.
The faceless driver halted his route at the foot of the Carlton Gardens where the rays of the sun shot and reflected off the majestic mandala windows of the Exhibition Buildings. By the iron barricade stood a man in navy, gaunt and tired, chatting away to a young, unhinged girl. The man’s ringed eyes twittered, the girl’s were equally glazed and both heads stiffed and twitched as they spoke like the cautious movements of paranoid possums at Treasury Gardens in the night. Conversation filtered into the carriage with the opened tram doors. It was an empty exchange; loose, lost and compensated for by cadences of cool bluntness. The man and the girl sounded as they looked, helplessly incarcerated inside their own private universes. Prematurely the tram door shut and her feminine arm grasped desperately for access. The faceless driver palmed his button and let the young girl on. Marks on her face glared in the warm luster of the morning.
They were dark blemishes, brown and scabby, scattered about her forehead and her cheeks.
As the tram stationed the girl remained preoccupied and distracted deep inside her universe. There was room for nobody and nothing else. Her fingernails matched the lemon yellow of the tram, her hair, dusty brunette hung long and wavy. Lucidly she graced the aisle brandishing a one-strap sports bag shaped like an old water bladder with a single zip that contoured the hem line. The girl’s lemon nails clawed and pierced into the fabric like everything she knew and loved in the world might be found within it. She cowered on knees, planting herself on a seat behind me as the man in navy stared emptily outside, chewing into the ether. The faceless driver took off and the man and the girl were forgotten to each others’ world - no thought for their prior colloquy, nor for a parting wave.
The yellow tram cut along the metal tracks as the girl thumbed and fumbled her little black bag, opening, then shutting, opening again, a few times over and then some more. Restless. The speed of life was too slow. She had to go faster that this. Sitting was draconian in her present state - she stood again and re-occupied the aisle, roaming back and forth the steps toward the door she came in. Her two arms clung to the dangling yellow nooses holding up an abused, struggling body, languished and limber and manic. She muttered to herself, as emptily as if ‘old navy’ was still beside her back at the stop. She swayed and edged, frustrated, bursting at the seems to explode from out of this moving limitation into wherever it was her mind told her she needed to be.
A stale automaton voiceover declared the tram’s approach to Murchison St.
The girl repeated the name of the street over and over in subtone mumble as she swayed from noose to noose. The robotic voiceover had tempted her, verging her body ever closer to the exit, offering only her back to all except the driver, whose back was all anyone ever got to see.
The faceless driver halted the tram and opened the doors at the first stop past Elgin.
Like a rocket, the girl with yellow nails sprung headfirst into the mild morning, surging like a mindless child, a pre-loved toy doll in its early stages of malfunction.
A 16-foot truck appeared out of nowhere in peripheral vision as the electronic tram doors opened. My body paralysed itself in chill. Each lung seized, rendered unable to harness any breath.
The truck sped.
The brunette hair of the blemished girl feathered in the morning breeze, her yellow fingernails, out of view.
The faceless driver halted his route at the foot of the Carlton Gardens where the rays of the sun shot and reflected off the majestic mandala windows of the Exhibition Buildings. By the iron barricade stood a man in navy, gaunt and tired, chatting away to a young, unhinged girl. The man’s ringed eyes twittered, the girl’s were equally glazed and both heads stiffed and twitched as they spoke like the cautious movements of paranoid possums at Treasury Gardens in the night. Conversation filtered into the carriage with the opened tram doors. It was an empty exchange; loose, lost and compensated for by cadences of cool bluntness. The man and the girl sounded as they looked, helplessly incarcerated inside their own private universes. Prematurely the tram door shut and her feminine arm grasped desperately for access. The faceless driver palmed his button and let the young girl on. Marks on her face glared in the warm luster of the morning.
They were dark blemishes, brown and scabby, scattered about her forehead and her cheeks.
As the tram stationed the girl remained preoccupied and distracted deep inside her universe. There was room for nobody and nothing else. Her fingernails matched the lemon yellow of the tram, her hair, dusty brunette hung long and wavy. Lucidly she graced the aisle brandishing a one-strap sports bag shaped like an old water bladder with a single zip that contoured the hem line. The girl’s lemon nails clawed and pierced into the fabric like everything she knew and loved in the world might be found within it. She cowered on knees, planting herself on a seat behind me as the man in navy stared emptily outside, chewing into the ether. The faceless driver took off and the man and the girl were forgotten to each others’ world - no thought for their prior colloquy, nor for a parting wave.
The yellow tram cut along the metal tracks as the girl thumbed and fumbled her little black bag, opening, then shutting, opening again, a few times over and then some more. Restless. The speed of life was too slow. She had to go faster that this. Sitting was draconian in her present state - she stood again and re-occupied the aisle, roaming back and forth the steps toward the door she came in. Her two arms clung to the dangling yellow nooses holding up an abused, struggling body, languished and limber and manic. She muttered to herself, as emptily as if ‘old navy’ was still beside her back at the stop. She swayed and edged, frustrated, bursting at the seems to explode from out of this moving limitation into wherever it was her mind told her she needed to be.
A stale automaton voiceover declared the tram’s approach to Murchison St.
The girl repeated the name of the street over and over in subtone mumble as she swayed from noose to noose. The robotic voiceover had tempted her, verging her body ever closer to the exit, offering only her back to all except the driver, whose back was all anyone ever got to see.
The faceless driver halted the tram and opened the doors at the first stop past Elgin.
Like a rocket, the girl with yellow nails sprung headfirst into the mild morning, surging like a mindless child, a pre-loved toy doll in its early stages of malfunction.
A 16-foot truck appeared out of nowhere in peripheral vision as the electronic tram doors opened. My body paralysed itself in chill. Each lung seized, rendered unable to harness any breath.
The truck sped.
The brunette hair of the blemished girl feathered in the morning breeze, her yellow fingernails, out of view.
14.11.08
Bat Country
There may be an absence of juice on the minutiae...
Tomorrow morning i drive a 15 foot truck from New York to Vegas.
Juice to come..
Adios.
Tomorrow morning i drive a 15 foot truck from New York to Vegas.
Juice to come..
Adios.
10.11.08
7.11.08
How Many Cabs in New York City
How many cabs in New York City, how many angels on a pin?
How many notes in a saxophone, how many tears in a bottle of gin?
For years now I could have told you with decent authority how many notes you can pull out of a saxophone. I have sweet bugger all idea on the volume of tears in a bottle of Bombay Sapphire, and stymied on the quantity of angels you can ram on a pin. After spending just on 2 months roaming around New York City, I can answer an otherwise rhetorical phrase that this joint has a colossal shitload of cabs.
Rhetorical or not, Paul Kelly sure knows how to pen a lingering lyric.
There are many reasons why this humble axe wieldin’, harmonica blowin’ nugget of Aussie goodness gets my juice a’pumpin whenever I tune in his wares. His command of the evocative; an understated lyrical wisdom and a humble depth of insight into life’s foibles; the way he carves poignancy out of life’s moments and the niggling emotions that make up everyone’s day to day. That deep, dulcet, yearnin’ twang. His subdued nature, his mystique. His ultra careful use of words; when he speaks and when he writes. When I listen to PK, I feel pride at our mutual origins, proud of how beautifully he dwells on the landmarks and homeliness that I love so dearly. PK is a humble genius, an unassuming troubadour and the poet to share a pint with.
I saw PK in Cork a few months back. Just me and a hundred-odd diehards in a little old run down theatre in the old quarter by the main drag. I drank Guinness after Guinness, soaking up the magic. In dark suit and dim light, he captured our imaginations with them rich-drizzled lyrics, arming us down a winding road of love, life, childhood, death, and all the beautiful, bittersweet, funny chunks n twinkles in between. I bonded over his old tunes with a random woman old enough to be my great aunty. Young and old come together to dig the ways of PK. The man sure knows how to evoke a tune.
I can’t believe how fast time has gone since Cork; since the months in South East Asia – since I set foot in America; in New York. It’s flown by. This year. This decade. My life. It’s a chilly arvo in Queens. I’m a long way from Melbourne. And like the speed of time, the distance between here and there is too far for a regular sojourn back to the warmth of my family, the camaraderie of my friends and the city I love. But whenever I need to go back somewhere to relive old moments I thought I’d lost, I tune into PK. I listen to ‘From St Kilda to Kings Cross’. I soak up ‘When I first met your ma’. Shivers of warmth infiltrate my soul when the lead guitar break throbs in to ‘Before too Long’. With PK’s tunes I always have reassurance and an emotional passport back to my old stomping grounds, in lieu of a tangible plane ticket. It’s a good substitute. A nostalgia vehicle.
I turn over memories of my childhood, imagery of suburban Ringwood living with mum in a rundown white brick flat-house. 23 Caroline St. The passionfruit crawler that engulfed the side shed and the dodgy toilet that I used to get scared of. Beach holiday at Easter in Point Lonsdale with Barb and Pat. Shining snippets of carefree Saturday arvos drenched in the summer sun - Dad with a blonde mullet washing his Subaru with a running hose, me Bolting through the sprinkler on the front lawn. That unmistakable musty smell of seared, sudsy dampness on boiling hot concrete.

PK’s timeless empathy, his understanding of the human condition and carefully selected words unpretentiously smithed into aural art – it’s my ticket to anywhere I want to be, anytime I need, anywhere I find myself. Regardless of how many there are, no New York cab can ever possibly take me anywhere near as far.
How many notes in a saxophone, how many tears in a bottle of gin?
- P. Kelly (not R Kelly)
‘Careless’
‘Careless’
For years now I could have told you with decent authority how many notes you can pull out of a saxophone. I have sweet bugger all idea on the volume of tears in a bottle of Bombay Sapphire, and stymied on the quantity of angels you can ram on a pin. After spending just on 2 months roaming around New York City, I can answer an otherwise rhetorical phrase that this joint has a colossal shitload of cabs.
Rhetorical or not, Paul Kelly sure knows how to pen a lingering lyric.
There are many reasons why this humble axe wieldin’, harmonica blowin’ nugget of Aussie goodness gets my juice a’pumpin whenever I tune in his wares. His command of the evocative; an understated lyrical wisdom and a humble depth of insight into life’s foibles; the way he carves poignancy out of life’s moments and the niggling emotions that make up everyone’s day to day. That deep, dulcet, yearnin’ twang. His subdued nature, his mystique. His ultra careful use of words; when he speaks and when he writes. When I listen to PK, I feel pride at our mutual origins, proud of how beautifully he dwells on the landmarks and homeliness that I love so dearly. PK is a humble genius, an unassuming troubadour and the poet to share a pint with.
I saw PK in Cork a few months back. Just me and a hundred-odd diehards in a little old run down theatre in the old quarter by the main drag. I drank Guinness after Guinness, soaking up the magic. In dark suit and dim light, he captured our imaginations with them rich-drizzled lyrics, arming us down a winding road of love, life, childhood, death, and all the beautiful, bittersweet, funny chunks n twinkles in between. I bonded over his old tunes with a random woman old enough to be my great aunty. Young and old come together to dig the ways of PK. The man sure knows how to evoke a tune.
I can’t believe how fast time has gone since Cork; since the months in South East Asia – since I set foot in America; in New York. It’s flown by. This year. This decade. My life. It’s a chilly arvo in Queens. I’m a long way from Melbourne. And like the speed of time, the distance between here and there is too far for a regular sojourn back to the warmth of my family, the camaraderie of my friends and the city I love. But whenever I need to go back somewhere to relive old moments I thought I’d lost, I tune into PK. I listen to ‘From St Kilda to Kings Cross’. I soak up ‘When I first met your ma’. Shivers of warmth infiltrate my soul when the lead guitar break throbs in to ‘Before too Long’. With PK’s tunes I always have reassurance and an emotional passport back to my old stomping grounds, in lieu of a tangible plane ticket. It’s a good substitute. A nostalgia vehicle.
I turn over memories of my childhood, imagery of suburban Ringwood living with mum in a rundown white brick flat-house. 23 Caroline St. The passionfruit crawler that engulfed the side shed and the dodgy toilet that I used to get scared of. Beach holiday at Easter in Point Lonsdale with Barb and Pat. Shining snippets of carefree Saturday arvos drenched in the summer sun - Dad with a blonde mullet washing his Subaru with a running hose, me Bolting through the sprinkler on the front lawn. That unmistakable musty smell of seared, sudsy dampness on boiling hot concrete.
PK’s timeless empathy, his understanding of the human condition and carefully selected words unpretentiously smithed into aural art – it’s my ticket to anywhere I want to be, anytime I need, anywhere I find myself. Regardless of how many there are, no New York cab can ever possibly take me anywhere near as far.
6.11.08
The Golden Age
It’s the day after the 2008 United States Presidential Election.
I bask in what happened last night. Like many, I’m still taking it all in, for it was indeed a seriously profound event; a remarkable night in our modern times.
Midnight Oil’s ‘Golden Age’ strums through this Queens apartment and heightens my proud reflections. This nation and the world has entered a new era and it began last night at eleven o’clock.
Times Square is a melting pot about to boil. Anticipation runs rife through the air as crowds begin to converge in the heart of New York City. Film crews and sweeping boom cameras fly over the streets in live crosses from CNN and ABC news hubs adjacent the pools of cordoned off masses. Folk vye for their twenty seconds of fame, getting as close to the camera crews as possible. Down the sidewalks, all walks of life gather with necks bent skyward, keeping up to date with every second of the election coverage splayed on the massive array of news screens. This is a veritable sea of heads united in mass hope for the hopefully inevitable. Merry pranksters and larrikins dance around in pro-bama make up and uniforms of ‘Change’ t-shirts with banners brandishing pro-blue slogans. On the busy sidewalks, touts flog a variety of novelty election condoms with the reminder that ‘hope is no effective form of contraception’. Sarah Palin condoms seem to be selling particularly well – the McCain variety less so. It seems no one even bothered to manufacture a Biden variety. The Square pulses large with blacks, whites, gay, straight, young, old, Americans and foreigners – everyone finds themselves bound together here in an electric undercurrent of immense anticipation.
At ten o’clock it looks good for the crowd favourite. On 207 electoral votes to John McCain’s 140-odd, Barack Obama sits more than comfortably as exit polls suggest that the initial projections are probably right on par with the reality going on across the nation. Voters have come out in unbelievably unprecedented levels this year and it’s a good showing for the institution of Democracy. Grassroots are showing how strong they really are when given their rightful moment in the sun. The hour of eleven approaches and suddenly, Foxnews and CNN break the news that the dream has come true - Barack Hussein Obama is President-elect of the United States of America. Shock, disbelief, tears and awe, thousands upon emotional thousands of human beings nod their heads, mouthing ‘yes’, some leaping, screaming, all going absolutely wild for this truly amazing flicker of history. Fists puncture the air, hands wave furiously, slapping high fives and h tens to all receivers. Everone smiles at each other, strangers turn and speak to each other about their collective elation, bound together. For the lingering moment everyone is everyone’s friend. New York City has rarely ever been this energised, alive, electric or united.
In the morning, the Times would write:
“This is one of those moments in history when it is worth pausing to reflect on the basic facts: An American with the name Barack Hussein Obama, the son of a white woman and a black man he barely knew, raised by his grandparents far outside the stream of American power and wealth, has been elected the 44th president of the United States”
An educated, measured, charismatic orator with the ability to instill a hope many thought was dormant forever, someone who finally - finally just might be able to steer things back to the level of optimism that was crushed when this century dawned. Someone to quell that craving for optimism, tolerance, love and humanity that has lacked so dearly in the leadership of the past decade, where war, violence and death has permeated the world, spread like a virus by the toxic politics of fear.
But even more so, the election of Barack Obama as America’s first black president is set to yield an untold ripple effect on so many aspects of this nation’s consciousness – a catalystic event that speaks of the end of race barriers, the end of old, outmoded ways of thinking. Obama in the White House has ‘electrified the world’. There is a sense now, that anything and everything is possible.
God I was overjoyed with pathos standing in Times Square at that moment. It was absolutely stunning staring up to a massive NASDAQ screen at montages of a smiling 47 year old Obama – this nation’s great leader to be. The First black American president. I kept reeling that through my mind. My body burned in swells and sparks of spine chill at what this all meant – what it meant for everything! - and the unbelievable sensation of being right in the middle as it all went down. I savoured a moment that I will one day be able to tell my kids and grandkids about, that remarkable second when history was made and the world was changed forever.
I danced at Trade’s Hall when Howard got the boot last November. Here, I revel in the heart of New York City as the era of Bush comes to an end.
In the words of The Nation’s William Grieder ‘Let us congratulate ourselves on being alive at such a promising moment’
"So tell me what you see
Tell me what you hear
And if it's the same as me it's the Golden age"
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